Posts Tagged ‘revolutionary road’

Scene Stealers #1

Sunday, November 1st, 2009

Revolutionary Road

Revolutionary Road (2008)

My first thought watching Revolutionary Road was “what if Jack had lived?” Leonardo DiCaprio and Kate Winslet return together a decade after we saw Titanic take over the world.  This time they are living the American Dream in 1955 suburbia.  Frank and April Wheeler, in the seventh year of their marriage, have fallen into a life that appears to most as being perfect. They live in the Connecticut with two young children. Frank commutes to New York City where he works in an office job that he hates while April stays at home as a housewife which is a constant reminder of the acting life she gave up on.  One day, April suggests that they move to Paris – a city where Frank visited during the war and loved, but where April has never been – as a means to rejuvenate their life.  Initially skeptical, Frank ultimately agrees to April’s plan. When circumstances change around the Wheelers, April decides she will do whatever she has to get herself out of her unhappy existence.

The Scene Stealer (after the jump) from Revolutionary Road does include DiCaprio and Winslet, who are fantastic throughout the film, but this scene is more to do with Michael Shannon’s character John Givings.  He is simply scary in this role as a former mathematician who is now under psychiatric care in a mental institution. John has no inhibition about asking the Wheelers direct personal questions and offering his blunt assessment of their dissatisfaction with marriage, work, and life; his parents are horrified, but the Wheelers admire him for his candor. However, when John learns the Wheelers have canceled their move to Paris, he becomes agitated and begins to insult them, saying he feels sorry for them.

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mayor: best of 2008

Monday, January 26th, 2009

Everyone likes a list, so here are the top movies of 2008 as chosen by me.  There were many great movies, some of the best in years actually.  So after much thought and multiple viewings of some of the titles, I made as tight a list as I could.  Meanwhile Ebert made a top 20 this year…cheater.  Here is my favorite 15 of 2008.

THE WRESTLER
This was an amazing film.  It felt so real and reminded me a lot of Beyond the Mat.  The story, one of the best in years takes you in right away.  Fine as the writing and direction are, it’s no insult to say that they are overshadowed by the performance of Mickey Rourke.  My heart just broke in a scene where a neighbor kid is asking him about Call of Duty 4, and Mickey plays it so well, he is lost and has no idea, just as your own father might if you tried to explain the difference between 1080p and 1080i.  Welcome back Mickey.

THE DARK KNIGHT
What can be said about The Dark Knight that already hasn’t been said about free candy?  It’s awesome in every way, a masterpiece.  We all know that Ledger as the Joker is something to see, but take in the entire film.  This was a crime thriller on the same scale as HEAT.  The story and execution make this stand out above every comic book movie ever made and that will ever be made.  A line has been drawn in the sand, and here we…go!

REVOLUTIONARY ROAD
Sam Mendes of American Beauty fame makes this bitter, nerve-wracking, ugly and relentless drama done right, a mesmerizing look at desperate lives, wrong moves and spoiled dreams that hits hard right from the beginning and never lets up.  DeCaprio’s and Winslets best roles to date.

ROLE MODELS
It may be slight, it may be derivative, but this comedy for adults is also deliriously funny.  Jane Lynch (40-Year-Old Virgin) steals each of her scenes as the charity project leader and reformed cokehead.  The predictable ending comes at a cost, constant laughter.  A price I will pay again and again.

RELIGULOUS
When the smartest man on TV makes a documentary about the biggest lie in the world, you sit up and listen.  Again I have to plead a bias on this seeing how I am a “non-believer” and have been since I was old enough to think on my own. This movie is well put together, thought-provoking, and quite funny.  My girlfriend seemed to be bored during the movie, after I asked her what’s the deal seeing how her and I have had some great talks on the subject.  She said she wasn’t bored, rather she was angry that there are so many people out there with their head in the sand to the idea that it is possible to NOT KNOW SOMETHING!  God love her.

THE CURIOUS CASE OF BENJAMIN BUTTON
I need to see this one again.  Not because I am not sure it belongs on the list, because it does and would stay for another few years perhaps.  I need to see it again because it needs repeat viewings like Citizen Kane needs repeat viewings.  The set design alone is brilliant, large and something right out a tall tale.  A heartfelt and loving film that is meant to help you remember to not take life for granted and not to take these kind of movies for granted either.

GRAN TORINO
I can only think of a few characters born from film that stand the test of time.  And Eastwood created a number of them.  Walt Kowalski, a disgruntled Korean War vet – and by that I mean a racist who hates his spoiled family and is old school in every way.  Who knew Eastwood could be this funny too, the theater was laughing most of the time, mostly out of shock at some of the obscenities.  It was predictable, but Eastwood doesn’t set out to make the next SIXTH SENSE “gotcha” ending, he tells a story on screen, and that’s all I ask for these days.

FORGETTING SARAH MARSHALL
The film works first and foremost because of Segel, who knocks it out of the park in both his first starring role and first produced screenplay.   Sarah Marshall is a movie of hilarious moments and memorable scenes, lovingly crafted characters and smart one-liners.  Comedy was high this year, and it started with this one.  Don’t miss out.

KUNG FU PANDA
Color me shocked.  The campaign for this movie had me so annoyed and turned off I didn’t see It until it was on DVD.  I wish I had seen it in theaters because this movie is gorgeous.  DreamWorks has had its share of disappointments like Shark Tale and Flushed Away; finally the studio has released an animated movie everyone can agree is a fantastic underdog story that has instantly become the studio’s best animated flick.  A movie has to be more than just visually beautiful, and Kung Fu Panda brings substance as well as beauty along with some of the best action scenes out of any movie of the year.

LET THE RIGHT ONE IN
I know they are different movies in a sense, but Let the Right One In is a much scarier vampire movie than the hit Twilight, it’s also a much better love story.  I hear this is already getting the remake treatment for American audiences, I smell quick cuts and PG 13 rating.  The best vampire movie in the last ten years?  Oh I went there.

PINEAPPLE EXPRESS
A stoner action movie, who knew?  That is why comedy is on the comeback, we didn’t know.  An original idea can go a long way Hollywood, take note.  Apatow does it again and Seth Rogen and James Franco make it memorable.  A buddy stoner action movie is more like it with these guys.   Pineapple Express descends from comedy to action send-up in the best way, through a solid script and direction.

SLUMDOG MILLIONAIRE
Visually dazzling and emotionally resonant, Slumdog Millionaire is a film that’s both entertaining and powerful.  Danny Boyle’s finest since Trainspotting. In fact, it’s the best British/Indian/Gameshow/romance I have ever seen.  A lot will be said and many awards have been provided, but the proof is in the movie.  Find it and watch it.

IN BRUGES
A very dark comedy that gets sillier and bloodier and less funny as it nears its violent conclusion.  This was a surprising movie to me, Colin Farrell didn’t do much for me ever.  That was until In Bruges.  I can see it being missed and hitting the bottom shelf right away like Kiss Kiss Bang Bang.   Every once in awhile, a film will come out that just slaps you in the face, this one still hurts.

SYNECDOCHE, NEW YORK
(si-nek-duh-kee)  Kaufman has succeeded in portraying an unflinchingly honest and deep examination of the soul of a person without jumping through traditional hoops of this happened here, this happened next by resisting description.  This film is dark and witty.  I have a feeling sadly that it won’t be remembered.

GHOST TOWN
I should explain my bias on this movie.  I have been watching Ricky since The Office first aired on the BBC.  And then Extras, his podcasts, his standups, and I even visit his blog every other day.  This film with anyone else might have been lost, but Gervais brings his one sense of timing and quick wit to the script to pull off a great romantic comedy.  Ricky Gervais said, “Just what people want: a fat, British, middle-aged comedian trying to be a semi-romantic lead.”  Yes, yes we do.

For those of you who think this list is missing movies like Milk, Wall-E, Happy-Go-Lucky, Tropic Thunder (it bothers me that Tom Cruise has to do ridiculous dances for being crazy to get forgiveness) or any of the other films on most peoples’ lists, please don’t assume I just didn’t see those films. I did. I saw every film you’re saying “but what about…” to. They just didn’t make the list. But I liked a lot of them. Just not as much as you.  And for those wondering what I thought the worst movie of 2008 was, Jumper.  A concept so high in possibilities ended up being one disappointment after another.  I predict a TV series based on this, with awesome Stargate effects.

10 things: golden globe nominees

Tuesday, December 16th, 2008

Ten things you should know about Golden Globe nominees
by Andy Goldberg

Most people have more important things to do this time of year than ponder the significance of the Golden Globe nominations announced Thursday at the unheard of Hollywood hour of 5 am.  But in case you are a movie awards junkie or need some conversation topics for your holiday parties, here are ten vital facts you should know about the main nominees:

Slumdog Millionaire: A Mumbai-based tour de force t cultural, national and cinematic boundaries, this movie is the first India-based film about Indians ever to garner such high accolades and achieve breakthrough status in the US. Directed by Danny Boyle(Trainspotting, 28 Days Later), written by Simon Beaufoy (The Full Monty) and starring Dev Patel as a brilliant pauper who wins an Indian game show, this movie could pull a few surprises this award season.

The Curious Case of Benjamin Button: How good can a movie about  a man who ages backwards really be? Plenty good if it stars Brad Pitt in one of his best roles, is based on a classic story by F Scott Fitzgerald and features quixotic director David Fincher (Zodiac, Fight Club). No wonder it’s one of the leading nominees this season with five Globe nominations.

Frost/Nixon: In these left-leaning times, what do you get when you put together one of Hollywood’s most admired directors and a searing takedown of notorious Republican president Richard Nixon? A handful of award nominations. Director Ron Howard has done a great job converting an award-winning play into a movie that exposes the manoeuvring that helped British interviewer David Frost reveal the real Richard Nixon in a series of interviews three years after Nixon left office.

Happy-Go-Lucky: Mike Leigh, the British director regarded as one of the best film-makers of our times, has done it again with this sensitive, amusing and poignant look into the life of a perpetually perky primary school teacher in north London. Nominated for best comedy and for best actress in a comedy for Sally Hawkins, this film’s presence at top award shows represents a deserved tribute to Leigh’s collaborative style of filmmaking in which he starts without a script and the actors improvise all their lines.

Mickey Rourke: This leading man of the 1980s is re-establishing himself as a Hollywood anti-hero with his role as a washed-up wrestler. The role has particular relevance to Rourke, 56, who quit acting in the 1990s to return to his first love – boxing.

Heath Ledger: One likes to think that Ledger would also be the certain favourite for the best supporting actor role even if he hadn’t died from an accidental drug overdose last year. Even before his death, Ledger had been earning acclaim for his role as the psychotic criminal, the Joker, in the brooding Batman movie, The Dark Knight. What’s surprising is that the box office hit didn’t yield any other nominations.

Clint Eastwood: The undisputed awards king of Hollywood, everything Eastwood does usually fills his many mantelpieces with trophies. Although he had two acclaimed movies in the running, and even acted in one of them, all he got was a best actress nomination for Angelina Jolie in Changeling and a nod for best score. Gran Torino, in which he played a grouchy old bigot, yielded nothing.

Meryl Streep: Usually the presence of Streep in a list of acting nominees means the other contenders needn’t bother preparing acceptance speeches. But despite being nominated in the drama section for Doubt and in the comedies for Mamma Mia, this might not be Streep’s year. Most critics feel the dramatic actress prize will go to Kate Winstlet in husband Sam Mendes’ Revolutionary Road, while the comedy prize is Sally Hawkins.

Revolutionary Road: If a drama about the troubled world of some 1950s suburbanites fails to get you inspired, remember that former theatre director Sam Mendes blew away the competition with a similar setting in American Beauty. The film also features former Titanic teen couple Winslet and Leonardo DiCaprio in possibly the best roles of their lives.

The Hollywood Foreign Press Association: The 90-member body that picks the awards is unrepresentative of the foreign media who  cover Hollywood. But the show, to be broadcast live in dozens of countries on January 11, still remains the second most prestigious prize in Hollywood after the Oscars.

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